The Crazies (2010)
It’s fair to take the tone of the original into consideration when judging the remake, and under those B-movie horror standards, it does pretty well.
It’s fair to take the tone of the original into consideration when judging the remake, and under those B-movie horror standards, it does pretty well.
The most telling thing I can say about Catch and Release is that it’s melodrama. While I have a lot of issues with the genre, I can’t necessarily hold them against this movie in particular as one small part of a bigger problem. What I can do, however, is point out the problems that are inherently its own.
It’s one of the best movie-going experiences, I think, when a film completely exceeds your expectations.
This is light, brainless fare, which certainly has its place in the film marketplace, but it’s never going to be anything to write home about.